phan_TOM wrote:Looks okay, but I think I'd prefer this one.
photohiker wrote:That Fuji promises the quality of the 5DII at a little more bulk and weight than the micro4/3rds.
phan_TOM wrote:photohiker wrote:That Fuji promises the quality of the 5DII at a little more bulk and weight than the micro4/3rds.
Fuji claims it will out-resolve the 5d mkII, bold statement... but you are going to pay for that privilege as far as I can see, $1700 for the body and $650+ for each lens (which I guess isn't too bad when I look at the above sentence). Nice looking lenses too.
I don't like the non-interchangeable lens on the canon and it would be a fundamental reason for me to not even consider it. I had a G9, great camera, but the retracting lens was like a dust sucking bellows and a real pain in the *&%$#! in the end. I am personally all for compact interchangeable lenses especially those fujinon primes, mmmm!
Drifting wrote:phan_TOM wrote:photohiker wrote:That Fuji promises the quality of the 5DII at a little more bulk and weight than the micro4/3rds.
Fuji claims it will out-resolve the 5d mkII, bold statement... but you are going to pay for that privilege as far as I can see, $1700 for the body and $650+ for each lens (which I guess isn't too bad when I look at the above sentence). Nice looking lenses too.
I don't like the non-interchangeable lens on the canon and it would be a fundamental reason for me to not even consider it. I had a G9, great camera, but the retracting lens was like a dust sucking bellows and a real pain in the *&%$#! in the end. I am personally all for compact interchangeable lenses especially those fujinon primes, mmmm!
Cheaper than a 5D!
wildlight wrote:...I use a carbon fibre manfrotto tripod, which weighs about 800grams...
walkinTas wrote:A weatherproof point-and-shoot with an interchangeable lens, but they aren't SLR. I thought the whole idea of micro 4/3 was smaller DSLR. I'm not sure of the advantage of changeable lenses without SLR.
Drifting wrote:Adam, a dedicated Nikonian, will approve of the unfortunate bend this post has taken.....
80-megapixel back and two Schneider lenses
a specialised "pancake" shift camera for use with medium format digital backs and extreme wide-angle lenses, which is perfectly adapted for use in architecture and landscape work
The camera then captures 6 shots, by moving the sensor 1 and ½ pixel at the time, to create a 200Mpix capture. This process eliminates the issues which single-shot interpolation can sometimes introduce, such as moiré and color rendering issues, thereby capturing the red, green and blue information in each individual pixel point and then combining these captures into one amazing file. The mind blowing detail of these shots opens new creative and commercial doors to any kind of shooting where detail or resolution are important
tasadam wrote:http://www.dpreview.com/news/2006/9/30/seitzd3
A bit over $40,000.
walkinTas wrote:A weatherproof point-and-shoot with an interchangeable lens, but they aren't SLR. I thought the whole idea of micro 4/3 was smaller DSLR. I'm not sure of the advantage of changeable lenses without SLR.
nickthetasmaniac wrote:How could the point be 'smaller DSLR'? The whole principal of MFT is that it is not a DSLR and does not have a reflex mirror
photohiker wrote:The point of Micro 4/3 is interchangeable lens, smaller but not tiny sensor, short lens mount to sensor distance, no mirror, no pentaprism.
http://www.steves-digicams.com/knowledge-center/micro-four-thirds-evolution-of-the-dslr.html wrote:Single lens reflex
The primary distinction between pocket cameras and dSLR cameras is that the dSLR allows you to physically see through the lens without any conversion of the image to digital format. That is, the light goes straight through the lens and (after some bouncing around) directly to your eyes, hence the term optical viewfinder. Most pocket cameras see through the lens too {I did know that }, but they convert that light and display it on an LCD screen on the rear of the camera so in a sense you are not seeing through the lens: you are seeing what the camera sees through the lens.
The Olympus/Panasonic Micro Four Thirds system used in cameras like the Panasonic G1 and upcoming E-series cameras from Olympus work less like a dSLR and more like a compact camera in that there is no mirror and no optical viewfinder where you can see through the lens. Instead, there is an LCD on the back of the camera and a digital viewfinder that works like an optical viewfinder on a traditional dSLR except that what you see is a digitized image of what the camera sees through the lens. In a sense, the Micro Four Thirds system is like a pocket camera with a digital viewfinder that you can put your eye close to in order to see the viewfinder better in bright light. Having all the features of a dSLR plus the digital viewfinder, it's a compact camera that looks and feels like a dSLR to a large extent. In the end, whether you call it a dSLR or something else is up to you. You could argue that point either way, but to me, the most important thing is that the Micro Four Thirds system does make cameras that look, operate, and feel like a dSLR with some useful advantages!
Drifting wrote:I reckon that Nikon will max out 35mm glass, same as the 5D II did.
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